Veronika Sedlmair and Brynjar Sigurdarson present haug
Along the banks of the River Enz in Pforzheim, Germany, sits Haug Rainbow Fountain, a mystical creature sprouting an ephemeral mist across the water. The bronze-cast sculpture has been realized by Veronika Sedlmair and Brynjar Sigurðarson as a mysterious hybrid between an Icelandic elf and a water spirit who carries the echoes of the folk tales whispered in the neighbouring Northern Black Forest. ‘In Iceland, where I come from, the rainbow is also a bridge between humans, elves, and hidden people. These kind of spirits that live beyond what we can see,’Sigurðarson tells designboom. Though at first Haug appears a little morbid — his hollow melting skull revealing a cluster of high-tech sensors — he sporadically captures rays of sunlight and transforms them into a dissipating, kaleidoscopic glow. ‘He looks a bit spooky, but he also has this ability to create such beauty. It’s a bit of a fun paradox,’ adds Sedlmair.
Haug Rainbow Fountain was unveiled at Ornamenta 2024, a contemporary art and design program running through the region’s city centers, spa towns, and valleys this summer. As curator Jules van den Langenberg tells us while we drive through the woodlands, ‘there is no white cube in the Black Forest,’ and as such, the public artwork finds itself at the hands of its context’s natural circ*mstances. While Haug is a permanent intervention, hibernating only during winters, the rest of the Ornamenta programming will remain on view until 29th September, 2024.
all images by Sander van Wettum
the rainbow fountain illuminates the river enz
Veronika Sedlmair and Brynjar Sigurðarson’s Haug Rainbow Fountain forms part of Ornamenta’s exhibition, Bad Databrunn: On Bladders, Rainbows, and Less Screen Time, curated by Jules van den Langenberg. As the show serves as a means to lure people away from their screens at home and into the city, the work by the German-Icelandic artist duo invites people to enjoy a surreal transformation of the elements along the banks of the River Enz.
Following an initial trip in 2021 to Pforzheim — a young city destroyed by and rebuilt following the Second World War — the artists recall how they became drawn to the region’s skies, valleys, and rivers. The River Enz, they noticed, runs from West to East, much like the sun. ‘The sunlight really shines into the city through the river bed from a deep, low angle, and that was something that we were quite charmed by,’ Brynjar Sigurðarson shares. The transient fusion of the rays with the water particles gave rise to the initial concept, which found an intersection with the studio’s previous explorations of atmospheric optics. ‘The rainbow is maybe the most famous atmospheric optic of all… So, the idea was, could we create a rainbow that’s somehow looming over the river?’
Veronika Sedlmair and Brynjar Sigurðarson present Haug Rainbow Fountain
Bad Databrunn’s overarching theme likewise stems from and nods to the region’s waters and Germany’s prevalent spa culture, embracing its associated connotations of replenishing the mind and body with water.‘In former times, anyone and everyone would have access to the spas and the water wells. But now, these initiatives are privatized and people are only able to indulge for a moment, never fully engaging with nature. And so in this theme we tried to search for new ways of digital detoxing,’ Jules van den Langenbergtells designboom.
‘For me, this work will live on the internet for most of its life simply because of its looks, yes, but if you take a bit more time, you start to also notice the dragonflies, the movements of the water, the shadows of the trees. As you stand on this bridge in anticipation of the rainbow, you get this kind of renewed lens of the landscape,’ he continues.
perched on the banks of the River Enz
ornamenta bridges the black forest’s communities & industries
The work has been developed for Ornamenta 2024, a program focused on connecting the Northern Black Forest and its diverse communities and industrial practices with a series of public installations, multi-site exhibitions, and performances. Haug Rainbow Fountain notably bridges cosmopolitan and agrarian lifestyles, developed over the course of three years in collaboration with experts in bronze manufacturing, physicists, and more.
Merging craft and technology, Veronika Sedlmair and Brynjar Sigurðarson who have long explored the interrelation between myth and reality, teamed up with local family company that have been prominent bronze producers for generations to craft the enigmatic Haug.‘We gave a new outlook for this bronze industry. Normally they produce static sculptures for the centers of cities, though in this case, there is all new vocabulary that we developed,’ says Jules van den Langenberg.
the artwork was unveiled at Ornamenta 2024
the mystical creature sprouts an ephemeral mist across the water
Haug is a hybrid between an Icelandic elf and a water spirit
the artwork invites people for a ‘digital detox’ by reconnecting with the region’s waters
sculpted from bronze in collaboration with regional experts
a circ*mstance of its context’s natural circ*mstances and elements
Haug’s rainbow is only visible at certain moments throughout the day, and in certain weather conditions
‘He looks a bit spooky, but he also has this ability to create such beauty,’ notes Veronika Sedlmair
project info:
name: Haug Rainbow Fountain
artist: Veronika Sedlmair and Brynjar Sigurðarson | @studiobrynjarandveronika
program:Ornamenta 2024|@ornamenta2024
dates: 5th July — 29th September, 2024
exhibition: Bad Databrunn: On Bladders, Rainbows, and Less Screen Time
curators: Jules van den Langenberg, Willem Schenk, Katharina Wahl
sponsors: THOST Projektmanagement GmbH, Alfred Kärcher Vertriebs-GmbH, SWP Stadtwerke Pforzheim
photography: Sander van Wettum